{"id":387,"date":"2014-09-12T09:21:01","date_gmt":"2014-09-12T07:21:01","guid":{"rendered":"http:\/\/www.riccardoscivales.com\/?p=387"},"modified":"2021-01-28T13:42:21","modified_gmt":"2021-01-28T12:42:21","slug":"reviews-to-riccardo-scivaless-music-books","status":"publish","type":"post","link":"https:\/\/www.riccardoscivales.com\/it_it\/reviews-to-riccardo-scivaless-music-books\/","title":{"rendered":"Reviews to Riccardo Scivales’ music books"},"content":{"rendered":"

Hi! Excerpted from reviews written by well-known jazz musicians and musicologists, below here some comments to my books of transcriptions and original piano pieces. I wish to thank all these people who found them good and spoke so highly of them!<\/em><\/strong><\/p>\n

Scivales gives us superb transcriptions, […] with details […] carefully worked out. […] what we have here is a major addition to the “must” folios shelf. (Butch Thompson<\/strong>, review to Harlem Stride Piano Solos<\/em><\/strong><\/a>, “The Mississippi Rag”, March 1991). www.youtube.com\/watch?v=FwuxpsEzXE4<\/a><\/p>\n

[…] a magnificent work tool, whose quality is comparable with the books of James Dapogny on Jelly Roll Morton or of Jed Distler on Art Tatum. (Louis Mazetier<\/strong>, review to Harlem Stride Piano Solos<\/em><\/strong>, “Bullettin du Hot Club France”, September 1991).<\/p>\n

[\u2026] Riccardo Scivales, [\u2026] one of the foremost authorithies on traditional jazz piano playing we know [\u2026] has recently completed a new book just now going to press, Jazz Piano: The Left Hand<\/em><\/strong><\/a>. This is an extraordinary treatise that traces, demonstrates, and puts into practice the techniques of the left hand in popular and jazz piano styles from ragtime to the present day. The age-old complaint, \u201cI don\u2019t know what to do with my left hand,\u201d has plenty of sure-fire remedies lurking within the pages of this major work. (Ed Shanaphy<\/strong>, People of Importance<\/em>, \u201cSheet Music Magazine\u201d, Summer 2005). http:\/\/www.riccardoscivales.com\/290\/<\/a><\/p>\n

[…] an impressive folio. The transcriptions feel right under the hands and sound good to hear. (Mark Tucker<\/strong>, review to Harlem Stride Piano<\/em> Solos<\/em><\/strong>, “I.S.A.M. Newsletter”, November 1991).<\/p>\n

[\u2026] hats off to Maestro Scivales for a superlative job. Again, my deepest gratitude; please keep up this good and important work. (Frank Feldman<\/strong>, letter on Harlem Stride Piano Solos<\/em><\/strong>, \u201cSheet Music Magazine\u201d, July\/August 1990).<\/p>\n

[\u2026] il trascrittore ha fatto un lavoro, oltre che eccellente, estenuante: ogni suono udibile (e non pochi si collocano al limite estremo della soglia di udibilit\u00e0), ogni figurazione ritmica per complessa che sia, ogni accento significativo sono stati notati fedelmente [\u2026]. (Angelo Zaniol<\/strong>, review to Harlem Stride Piano Solos<\/em><\/strong>, \u201cRivista Italiana di Musicologia\u201d, XXV, 1990).<\/p>\n

Il lavoro svolto \u00e8 pressoch\u00e9 perfetto [\u2026]. Solo chi ci si \u00e8 provato [\u2026] potr\u00e0 quindi apprezzare fino in fondo la precisione di Scivales. [..] C\u2019\u00e8 solo un pericolo: che adesso gli americani credano che in Italia gli esperti di jazz siano tutti bravi come Scivales. Ma per ora lasciamoglielo credere. [Marcello Piras<\/strong>, review to Harlem Stride Piano Solos<\/em><\/strong>, \u201cMusica Jazz\u201d, marzo 1991).<\/p>\n

Riccardo Scivales, musicista e musicologo che si pu\u00f2 considerare il massimo esperto a livello mondiale di stride piano<\/em>, [\u2026]. (Maurizio Franco<\/strong>, Dentro le note<\/em>,\u201cMusica Jazz\u201d, novembre 2003).<\/p>\n

Riccardo Scivales \u00e8, in assoluto, uno dei pi\u00f9 autorevoli studiosi dello stride e le sue trascrizioni rappresentano un indispensabile punto di riferimento didattico per chiunque voglia accostarsi a questo stile pianistico. (Claudio Angeleri<\/strong>, dal sito del CDpM-Centro Didattico produzione Musica di Bergamo, www.cdpm.it<\/a>).<\/p>\n

Il lavoro di Scivales si pu\u00f2 definire \u201cunico\u201d perch\u00e9 per la prima volta tenta di dare un quadro completo dello \u201cstride piano\u201d [\u2026] (Giovanni Greto<\/strong>, review to Harlem Stride Piano Solos<\/em><\/strong>, \u201cBlu Jazz\u201d).<\/p>\n

Your piece, Chant Of The Sea-Horse<\/em><\/strong><\/a>, is a lovely and pianistic bit of impressionism. I like it quite a lot. (Dick Hyman<\/strong>, letter to the author, January 1, 1995).<\/p>\n

Scivales’ transcriptions here and in his earlier book Harlem Stride Piano Solos<\/em> are superb. More of this, please. (Butch Thompson<\/strong>, review to Dick Wellstood Jazz Piano Solos<\/em><\/strong><\/a>, “The Mississippi Rag”, October 1995).<\/p>\n

[\u2026] Wellstood\u2019s stride-fueled improvisations have been faithfully transcribed by that keyboard lion of Venice, Riccardo Scivales. Like Scivales\u2019 earlier collection, Harlem Stride Piano Solos<\/em>, the Wellstood folio offers a passport to those in search of digital thrills and rhythmic revelation. (Mark Tucker<\/strong>, review to Dick Wellstood Jazz Piano Solos<\/em><\/strong>, \u201cI.S.A.M. Newsletter\u201d, Spring 1995).  https:\/\/www.youtube.com\/watch?v=yJFUlxiwjKQ<\/a><\/p>\n

As usual, the transcriptions are of a superb quality […]. This work is indispensable to everyone is interested in stride piano and in the music of Dick Wellstood more in particular. (Louis Mazetier<\/strong>, review to Dick Wellstood Jazz Piano Solos<\/em><\/strong>, “Bullettin du Hot Club France”, May 1995). http:\/\/www.riccardoscivales.com\/dick-wellstood-version-entertainer\/<\/a><\/p>\n

[…] a valuable addition to the Wellstood legacy. […] thanks to Riccardo Scivales for this bouquet of evergreens. (Jack D. Styne<\/strong>, review to Dick Wellstood Jazz Piano Solos<\/em><\/strong>, “Jersey Jazz”, March 1995).<\/p>\n

Riccardo Scivales [\u2026] \u00e8 un trascrittore formidabile [\u2026]. E\u2019 italiano, eppure pubblica i suoi preziosi lavori negli Stati Uniti, dove hanno regolarmente successo [\u2026]. Questo libro \u00e8 un mattone fondamentale, che non dovrebbe mancare sul vostro pianoforte. [\u2026]  (Stefano Zenni<\/strong>, review to Dick Wellstood Jazz Piano Solos <\/em><\/strong>and Learn To Play Latin Piano<\/em><\/strong><\/a>, \u201cMusica Jazz\u201d, maggio 1996).<\/p>\n

[\u2026] nessuno affronta con sistematicit\u00e0 il problema ritmico come lo affronta Scivales. [\u2026] Una sorta di \u201cil mio primo latin piano<\/em>\u201dche gli interessati [\u2026] non dovrebbero farsi sfuggire. (Stefano Zenni<\/strong>, review to Dick Wellstood Jazz Piano Solos <\/em><\/strong>and Learn To Play Latin Piano<\/em><\/strong><\/a>, \u201cMusica Jazz\u201d, maggio 1996). https:\/\/www.youtube.com\/watch?v=Dp6firGVcmw<\/a><\/p>\n

[\u2026] \u00e8 notevole anche lo sforzo creativo che si accompagna al metodo: le composizioni sono brani compiuti e suonabilissimi, arrangiabili e proponibili in un programma di musica latinoamericana. (Giorgio Cuscito<\/strong>, review to Learn To Play Latin Piano<\/em><\/strong>, \u201cJazz\u201d, Novembre-dicembre 1995).<\/p>\n

Giustizia \u00e8 fatta! [\u2026] Riccardo Scivales [\u2026] colma una lacuna gravissima nel campo della didattica jazzistica, ristabilendo le giuste proporzioni fra Tatum ed altri campioni del jazz che, al contrario, hanno goduto di ben diversa attenzione da parte degli studiosi. [\u2026] Scivales \u00e8 senz\u2019altro il pi\u00f9 autorevole esperto \u201cnon americano\u201d del settore, [\u2026] le sue trascrizioni, tutte molto ben fatte, sono tra le pi\u00f9 eseguite in Italia e all\u2019estero [\u2026]. (Giorgio Cuscito<\/strong>, review to The Right Hand According To Tatum<\/em><\/strong><\/a>, \u201cJazz\u201d, ottobre 1998).<\/p>\n

Have a good time. And when you are taking your bows, imagined or real, thank Riccardo Scivales for his hard work in making it possible. (Russ Chase<\/strong>, review to Dick Wellstood Jazz Piano Solos<\/em><\/strong> and The Right Hand According To Tatum<\/em><\/a><\/strong>, “IAJRC Journal”, Winter 1999).<\/p>\n

Scivales offre allora dieci preziose trascrizioni integrali [\u2026] e le commenta sinteticamente con il suo consueto acume didattico. [\u2026] il lavoro dell\u2019autore \u00e8 unico e meritorio, in quanto non esistono in commercio testi che analizzino il linguaggio tatumiano. (Stefano Zenni<\/strong>, review to The Right Hand According To Tatum<\/em><\/strong>, \u201cMusica Jazz\u201d, marzo 2000). https:\/\/www.youtube.com\/watch?v=LGEcXxUgdhI<\/a><\/p>\n

[\u2026] un metodo valido ed efficace le cui composizioni, lungi dall\u2019essere meri esercizi scolastici, pongono significativi problemi di carattere stilistico, formale, ritmico e armonico [\u2026]. (Luca Bragalini<\/strong>, review to Blues Piano<\/em><\/strong>, \u201cMusica Jazz\u201d, novembre 1999).<\/p>\n

Una proposta che si distingue dalle molte altre pur piacevoli raccolte \u201cjazzeggianti\u201d, per il rigore stilistico e il livello compositivo che ne fanno un ottimo strumento jazzistico. (Chiara Zocca<\/strong>, review to Blues Piano<\/em><\/strong>, \u201cMusica Domani\u201d, marzo 2000).<\/p>\n

Per l\u2019assoluta cura dei dettagli e la ricchezza delle annotazioni spicca quindi questa nuova, notevole fatica del pianista veneziano Riccardo Scivales [\u2026] gi\u00e0 autore di altri volumi di trascrizioni pianistiche, tra cui il fondamentale Harlem Stride Piano Solos<\/em>. (Maurizio Franco<\/strong>, review to The Soul Of Blues, Stride & Swing Piano<\/em><\/strong><\/a>, \u201cMusica Jazz, dicembre 2002).<\/p>\n

A truly indispensable book because of the reliability of its transcriptions. (Maurizio Franco<\/strong>, review to The Soul of Blues, Stride &<\/em> Swing Piano<\/em><\/strong>, “Musica Jazz”, December 2002).<\/p>\n

All of the compositions are challenging but sound great. (D.P.<\/strong>, review to Southern-Fried Blues<\/em><\/strong><\/a>, \u201cClavier\u201d, December 2002). www.youtube.com\/watch?v=tezN3ZNTF_s<\/a><\/p>\n

Riccardo Scivales [\u2026] has done us an invaluable service. He\u2019s given us piano solos, faithfully and lovingly transcribed; a well-observed career overview and analysis of style; and [\u2026] a comprehensive inventory on Wellstood on record and film. (Richard M. Sudhalter<\/strong>, from the Preface to Dick Wellstood: The Art of Jazz and Blues Piano, Vol. 1<\/em><\/strong>). https:\/\/www.youtube.com\/watch?v=sp1jZefOD9s<\/a><\/p>\n

These solos are faithfully transcribed and are very accurate. [\u2026] I found this production very worthwhile. (John Collinson<\/strong>, review to Dick Wellstood:The Art of Jazz and Blues Piano Vol. 1<\/strong>, <\/em>“VJM Jazz and Blues Mart”, 2002).<\/p>\n

I brani sono analizzati in modo sintetico ma illuminante [\u2026]. E varr\u00e0 la pena che pianisti e musicologi prestino orecchio a Scivales [\u2026] uno dei pi\u00f9 esperti e abili trascrittori del pianismo jazz [\u2026]. (Luca Bragalini<\/strong>, review to Dick Wellstood: The Art of Jazz and Blues Piano, Vol. 1<\/em><\/strong>, \u201cMusica Jazz\u201d, novembre 2004).<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Hi! Excerpted from reviews written by well-known jazz musicians and musicologists, below here some comments to my books of transcriptions and original piano pieces. I wish to thank all these people who found them good and spoke so highly of them! Scivales gives us superb transcriptions, […] with details […] carefully worked out. […] what we have here is a major addition to the “must” folios shelf. (Butch Thompson, review to Harlem Stride Piano Solos, “The Mississippi Rag”, March 1991). www.youtube.com\/watch?v=FwuxpsEzXE4 […] a magnificent work tool, whose quality is comparable with the books of James Dapogny on Jelly Roll Morton or of Jed Distler on Art Tatum. (Louis Mazetier, review to Harlem Stride Piano Solos, “Bullettin du Hot Club France”, September 1991). [\u2026] Riccardo Scivales, [\u2026] one of the foremost authorithies on traditional jazz piano playing we know [\u2026] has recently completed a new book just now going to press, Jazz Piano: The Left Hand. This is an extraordinary treatise that traces, demonstrates, and puts into practice the techniques of the left hand in popular and jazz piano styles from ragtime to the present day. The age-old complaint, \u201cI don\u2019t know what to do with my left hand,\u201d has plenty of sure-fire remedies lurking within the pages of this major work. (Ed Shanaphy, People of Importance, \u201cSheet Music Magazine\u201d, Summer 2005). http:\/\/www.riccardoscivales.com\/290\/ […] an impressive folio. The transcriptions feel right under the hands and sound good to hear. (Mark Tucker, review to Harlem Stride Piano Solos, “I.S.A.M. Newsletter”, November 1991). [\u2026] hats off to Maestro Scivales for a superlative job. Again, my deepest gratitude; please keep up this good and important work. (Frank Feldman, letter on Harlem Stride Piano Solos, \u201cSheet Music Magazine\u201d, July\/August 1990). [\u2026] il trascrittore ha fatto un lavoro, oltre che eccellente, estenuante: ogni suono udibile (e non pochi si collocano al limite estremo della soglia di udibilit\u00e0), ogni figurazione ritmica per complessa che sia, ogni accento significativo sono stati notati fedelmente [\u2026]. (Angelo Zaniol, review to Harlem Stride Piano Solos, \u201cRivista Italiana di Musicologia\u201d, XXV, 1990). Il lavoro svolto \u00e8 pressoch\u00e9 perfetto [\u2026]. Solo chi ci si \u00e8 provato [\u2026] potr\u00e0 quindi apprezzare fino in fondo la precisione di Scivales. [..] C\u2019\u00e8 solo un pericolo: che adesso gli americani credano che in Italia gli esperti di jazz siano tutti bravi come Scivales. Ma per ora lasciamoglielo credere. [Marcello Piras, review to Harlem Stride Piano Solos, \u201cMusica Jazz\u201d, marzo 1991). Riccardo Scivales, musicista e musicologo che si pu\u00f2 considerare il massimo esperto a livello mondiale di stride piano, [\u2026]. (Maurizio Franco, Dentro le note,\u201cMusica Jazz\u201d, novembre 2003). Riccardo Scivales \u00e8, in assoluto, uno dei pi\u00f9 autorevoli studiosi dello stride e le sue trascrizioni rappresentano un indispensabile punto di riferimento didattico per chiunque voglia accostarsi a questo stile pianistico. (Claudio Angeleri, dal sito del CDpM-Centro Didattico produzione Musica di Bergamo, www.cdpm.it). Il lavoro di Scivales si pu\u00f2 definire \u201cunico\u201d perch\u00e9 per la prima volta tenta di dare un quadro completo dello \u201cstride piano\u201d [\u2026] (Giovanni Greto, review to Harlem Stride Piano Solos, \u201cBlu Jazz\u201d). Your piece, Chant Of The Sea-Horse, is a lovely and pianistic bit of impressionism. I like it quite a lot. (Dick Hyman, letter to the author, January 1, 1995). Scivales’ transcriptions here and in his earlier book Harlem Stride Piano Solos are superb. More of this, please. (Butch Thompson, review to Dick Wellstood Jazz Piano Solos, “The Mississippi Rag”, October 1995). [\u2026] Wellstood\u2019s stride-fueled improvisations have been faithfully transcribed by that keyboard lion of Venice, Riccardo Scivales. Like Scivales\u2019 earlier collection, Harlem Stride Piano Solos, the Wellstood folio offers a passport to those in search of digital thrills and rhythmic revelation. (Mark Tucker, review to Dick Wellstood Jazz Piano Solos, \u201cI.S.A.M. Newsletter\u201d, Spring 1995).  https:\/\/www.youtube.com\/watch?v=yJFUlxiwjKQ As usual, the transcriptions are of a superb quality […]. This work is indispensable to everyone is interested in stride piano and in the music of Dick Wellstood more in particular. (Louis Mazetier, review to Dick Wellstood Jazz Piano Solos, “Bullettin du Hot Club France”, May 1995). http:\/\/www.riccardoscivales.com\/dick-wellstood-version-entertainer\/ […] a valuable addition to the Wellstood legacy. […] thanks to Riccardo Scivales for this bouquet of evergreens. (Jack D. Styne, review to Dick Wellstood Jazz Piano Solos, “Jersey Jazz”, March 1995). Riccardo Scivales [\u2026] \u00e8 un trascrittore formidabile [\u2026]. E\u2019 italiano, eppure pubblica i suoi preziosi lavori negli Stati Uniti, dove hanno regolarmente successo [\u2026]. Questo libro \u00e8 un mattone fondamentale, che non dovrebbe mancare sul vostro pianoforte. [\u2026]  (Stefano Zenni, review to Dick Wellstood Jazz Piano Solos and Learn To Play Latin Piano, \u201cMusica Jazz\u201d, maggio 1996). [\u2026] nessuno affronta con sistematicit\u00e0 il problema ritmico come lo affronta Scivales. [\u2026] Una sorta di \u201cil mio primo latin piano\u201dche gli interessati [\u2026] non dovrebbero farsi sfuggire. (Stefano Zenni, review to Dick Wellstood Jazz Piano Solos and Learn To Play Latin Piano, \u201cMusica Jazz\u201d, maggio 1996). https:\/\/www.youtube.com\/watch?v=Dp6firGVcmw [\u2026] \u00e8 notevole anche lo sforzo creativo che si accompagna al metodo: le composizioni sono brani compiuti e suonabilissimi, arrangiabili e proponibili in un programma di musica latinoamericana. (Giorgio Cuscito, review to Learn To Play Latin Piano, \u201cJazz\u201d, Novembre-dicembre 1995). Giustizia \u00e8 fatta! [\u2026] Riccardo Scivales [\u2026] colma una lacuna gravissima nel campo della didattica jazzistica, ristabilendo le giuste proporzioni fra Tatum ed altri campioni del jazz che, al contrario, hanno goduto di ben diversa attenzione da parte degli studiosi. [\u2026] Scivales \u00e8 senz\u2019altro il pi\u00f9 autorevole esperto \u201cnon americano\u201d del settore, [\u2026] le sue trascrizioni, tutte molto ben fatte, sono tra le pi\u00f9 eseguite in Italia e all\u2019estero [\u2026]. (Giorgio Cuscito, review to The Right Hand According To Tatum, \u201cJazz\u201d, ottobre 1998). Have a good time. And when you are taking your bows, imagined or real, thank Riccardo Scivales for his hard work in making it possible. (Russ Chase, review to Dick Wellstood Jazz Piano Solos and The Right Hand According To Tatum, “IAJRC Journal”, Winter 1999). Scivales offre allora dieci preziose trascrizioni integrali [\u2026] e le commenta sinteticamente con il suo consueto acume didattico. [\u2026] il lavoro dell\u2019autore \u00e8 unico e meritorio, in quanto non esistono in commercio testi che analizzino il linguaggio tatumiano. (Stefano Zenni, review to The Right Hand According To Tatum, \u201cMusica Jazz\u201d, marzo 2000). https:\/\/www.youtube.com\/watch?v=LGEcXxUgdhI [\u2026] un metodo valido ed efficace le cui composizioni, lungi dall\u2019essere meri esercizi scolastici, pongono significativi problemi di carattere stilistico, formale, ritmico e armonico [\u2026]. (Luca Bragalini, review to Blues Piano, \u201cMusica Jazz\u201d, novembre 1999). Una proposta che si distingue dalle molte altre pur piacevoli raccolte \u201cjazzeggianti\u201d, per il rigore stilistico e il livello compositivo che ne fanno un ottimo strumento jazzistico. (Chiara Zocca, review to Blues Piano, \u201cMusica Domani\u201d, marzo 2000). Per l\u2019assoluta cura dei dettagli e la ricchezza delle annotazioni spicca quindi questa nuova, notevole fatica del pianista veneziano Riccardo Scivales [\u2026] gi\u00e0 autore di altri volumi di trascrizioni pianistiche, tra cui il fondamentale Harlem Stride Piano Solos. (Maurizio Franco, review to The Soul Of Blues, Stride & Swing Piano, \u201cMusica Jazz, dicembre 2002). A truly indispensable book because of the reliability of its transcriptions. (Maurizio Franco, review to The Soul of Blues, Stride & Swing Piano, “Musica Jazz”, December 2002). All of the compositions are challenging but sound great. (D.P., review to Southern-Fried Blues, \u201cClavier\u201d, December 2002). www.youtube.com\/watch?v=tezN3ZNTF_s Riccardo Scivales [\u2026] has done us an invaluable service. He\u2019s given us piano solos, faithfully and lovingly transcribed; a well-observed career overview and analysis of style; and [\u2026] a comprehensive inventory on Wellstood on record and film. (Richard M. Sudhalter, from the Preface to Dick Wellstood: The Art of Jazz and Blues Piano, Vol. 1). https:\/\/www.youtube.com\/watch?v=sp1jZefOD9s These solos are faithfully transcribed and are very accurate. [\u2026] I found this production very worthwhile. (John Collinson, review to Dick Wellstood:The Art of Jazz and Blues Piano Vol. 1, “VJM Jazz and Blues Mart”, 2002). I brani sono analizzati in modo sintetico ma illuminante [\u2026]. E varr\u00e0 la pena che pianisti e musicologi prestino orecchio a Scivales [\u2026] uno dei pi\u00f9 esperti e abili trascrittori del pianismo jazz [\u2026]. (Luca Bragalini, review to Dick Wellstood: The Art of Jazz and Blues Piano, Vol. 1, \u201cMusica Jazz\u201d, novembre 2004).  <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,1,15],"tags":[87,54,120,49,66,24,62,77,63,121,123,122,69,126,125,30,124],"class_list":["post-387","post","type-post","status-publish","format-standard","hentry","category-books","category-news","category-transcriptions","tag-art-tatum","tag-blues","tag-books-3","tag-dick-wellstood","tag-harlem","tag-jazz","tag-jazz-piano","tag-latin-piano","tag-left-hand","tag-music-folios","tag-musicologists","tag-piano-methods","tag-reviews","tag-right-hand-runs","tag-soul","tag-stride-piano","tag-swing"],"yoast_head":"\nReviews to Riccardo Scivales' music books - Riccardo Scivales<\/title>\n<meta name=\"description\" content=\"A collection of reviews to Riccardo Scivales's music books\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riccardoscivales.com\/it_it\/reviews-to-riccardo-scivaless-music-books\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reviews to Riccardo Scivales' music books - 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